The inter – institutional project and exhibition The Visible Ones represents more than eighty female authors, studies and indicates the pronouncedly low representation of women artists in art collections of museum institutions, and also presents certain aspects and mapping of the contemporary artistic practice of women artists in Croatia.
With this project, we seek to indicate the contemporary fine art production of women artists, which is marked by great achievements, but is nevertheless insufficiently visible.
FIND OUT MORE
The razor wire is one of the most gruesome symbols of fortifying the borders of the European Union. Unlike barbed wire which is designed to prevent movement, the razor wire was created using galvanized steel with the sole intention of maiming. Thousands of people on the move have lost their lives while trying to bypass the borders of the European Union by drowning in the Mediterranean Sea, suffocating in the trucks of smugglers or perishing on the razor wire that surrounds Europe.
FIND OUT MORE
A selection of paintings from Ivica Malčić’s new cycles is a result of his ongoing activity and painterly transformation of daily life. It is also part of Malčić’s long-time artistic concept – his attempt to make at least a hundred new paintings every year.
FIND OUT MORE
Jasmina Cibic’s artistic practice spans across film, performance and installation and rigorously interrogates the aesthetics of politics. Her works are situated within architectural settings of national pride and power, from state assemblies to cultural monuments, and draw on historical events and individuals that determine shared conceptions of identity. She continuously examines artistic production in terms of its relationship to propaganda and ideology. Through this she identifies the ways in which culture is instrumentalised and who it is intended to serve. In her recent projects, Cibic has been investigating political gifting of cultural objects, artworks and architectures that personified hope and solidarity during the plight of self-determination of nations and emerging political identities.
FIND OUT MORE
*Opening hours of the exhibition are Tuesday through Sunday from 11 a.m. to 4 p.m.
!brute_force is an ongoing research platform interrogating forms of governance instituted by AI through structured models of reality. Established in 2019 by Maja Smrekar, the project stemmed from the premise that humans and nonhumans are no longer embedded in a dualist frame, but levelled within the global infrastructure of the market economy and the techno-capitalist commodification of life.
FIND OUT MORE
Small black and white photos were placed at 12 different locations in Zagreb as part of the project – A Walk with Tošo. They are an invitation to explore both the collection of Zagreb's great photographer and the city.
FIND OUT MORE
Sandra Sterle is working with the processes of performing and multimedia installations based on experimental film structure. Figments of Time is focused on her ongoing practice of biographical research, archiving and self-archiving in linear and non linear forms of relating to documentation and memory. Her discourse revolving around her relationship with her grandfather formulates a non-linear film-structure with installation units that can be seen as separate entities or fragments that are assembled together to form a single unit. A possible layer of her long term project and current exhibition is an attempt to read her own art practice through her granfather’s biography. (From the text of Olivia Nițiș)
FIND OUT MORE
The exhibition is conceived as an intimate, artistic and curatorial homage to the activity of the prematurely deceased multimedia artist Marijan Crtalić (1968 - 2020). His artistically articulated activism continuously reflected the socio-political narratives of his hometown of Sisak. When we get the opportunity to see Marijan Crtalić’s work today, we understand that this work represents an indispensable and quite concrete contribution to the valorisation and re-actualisation of the legacy of Socialism, in the direction of active negotiations with the present, but also as the foundation for any critical deliberation on the future.
FIND OUT MORE
Opening: 21/12 at 7 pm
"Looking at the course of a river from an airplane, I was often intrigued by the drawing the river made in the ground it flowed through. Some parts were so artistic that you only had to frame and sign them. That, of course, would be pure theft, because the image is created by the river, the ground, and gravity. The author is nature."
(V. Richter, Gravitational Drawing, Museum of Contemporary Art, Zagreb, 2001)
FIND OUT MORE
The exhibition Nam June Paik - In the Groove features the delightful early experimental art practice of this clever and playful pioneer of media art. Akin to a TV signal or internet impulse, his groundbreaking multimedia work reverberated globally throughout the art world.
Signals, parallels and reflections in the „groove“ of Nam June Paik can be found in Croatian and regional artworks which resonate and crossover many of Paik’s most prominent postulations.
FIND OUT MORE