The exhibition 8th Floor combines the architectural heritage of Zagrebian skyscrapers in the district of Vrbik, popularly known as Rockets, and the introspective insight and visual poetics of photographer Jelena Janković. Vrbik Residential Towers, built in 1968 according to the project of the architectural bureau Centar 51, symbolise the urban development of Zagreb and combine brutalist aesthetics with functional modernist architecture. Even though this heritage is recognised by the wider public today as an influential creation of architect Vjenceslav Richter – hence the moniker Richter’s Skyscrapers – his collaborators on this project were also Berislav Šerbetić, Ljubo Iveta, and Olga Koržinek.
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Marko Tadić’s exhibition, as part of the Kožarić Studio - Reviving Lab Cycle, is also part of the Triggers Cycle, in which artists, activists, communities or associations, each in their own way, interpret museum collections.
The links between Marko Tadić and Ivan Kožarić are profound. Tadić, just like Kožarić, perceives his own work as a large abstract archive that speaks of itself mainly through the whole. Furthermore, he also underlines other components of Kožarić’s approach that meant a lot to him as an artist, namely, the overlapping of living and exhibition spaces, and treating the entire spectrum of material objects as art tools. Still, the deepest connection between them as artists is the constant urge to explore the world around them through play.
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Propaganda is often presented as a relic from the totalitarian past. Only in the case of contemporary dictatorships, such as those of Putin or Kim Jong-un, is the term still used. But as the project Propaganda Station by artist and propaganda researcher Jonas Staal shows, democracy is not free from propaganda either.
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In the fourth year of implementing the Possibilities project, we are presenting the exhibition Where Every Ordinary Activity Is Extraordinary by painter Marta Katavić. The Possibilities project was launched by the MSU curator Leila Topić in association with Zagreb’s Academy of Fine Arts with the aim of strengthening the exchange of knowledge and making new relationships between curators, artists and audience, making it easier for up-and-coming artists to remain in the professional field. The members of this year’s work group, which decided on the selection of artists in deliberative conversations and discussions, are Ivan Slipčević, Josip Zanki and Vlasta Žanić, professors at the Academy of Fine Arts, young independent curator Renata Šparada, and MSU curator and concept author Leila Topić.
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Goran Trbuljak, one of Croatia’s most significant conceptual artists, has never entered the new building of the MSU until this exhibition. Following a re-invitation to hold an exhibition, he decided to accept it, but only after thoroughly elaborating his ‘pro’ and ‘con’ arguments with a text which he self-published last year: “Some thoughts and doubts on the topic of my current and potential future relationship with the Museum of Contemporary Art Zagreb”.
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For the first time, the exhibition Mutual Presence will showcase works by artists from the Collection of Outsider Art of the Museum of Contemporary Art alongside the works of artists with intellectual disabilities who are active within the inclusive gallery Art & CeRZe, Centre for Rehabilitation Zagreb. Although it is still not fully socially accepted in our country to exhibit artists without formal art education, let alone the artists who are users of the Rehabilitation Centre, within conventional exhibition spaces, this exhibition aims to show that art has always pushed boundaries, both in the perception of art itself, as well as in the acceptance of diversity.
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The exhibition Up Close offers a new approach to modern and contemporary heritage. It presents visitors with a “behind-the-scenes” look at the processes of research, protection, and conservation-restoration of selected works from the holdings of the Museum of Contemporary Art in Zagreb (MSU), the Museum of Modern Art in Ljubljana (MG+MSUM), the Božidar Jakac Gallery in Kostanjevica na Krki, and the Vasko Lipovac Atelier in Split.
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A revolutionary of the code name Red is the central protagonist of Milica Rakić’s experimental film Red, If You Didn’t Exist, We Would Have to Invent You. She is a thwarted fighter and activist, a woman transitioning between two times and two worlds, trapped between non-freedom and a possibility of a new revolution.
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The connection between Julije Knifer (Osijek, 1924 – Paris, 2004) and the Museum of Contemporary Art is long and intense, as testified by a large number of works kept in the Museum, from the earliest to the iconic ones.
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المثارات : التراب يذكر . هل أنت؟
محرک ها: خاک به یاد می آورد. آیا تو؟
The Soil Remembers. Do You? is a project from the Triggers series with which we present the work, the commemorative action of the Women to Women collective. The project was inspired by the piece Observers by Ivana Popović from the Museum of Contemporary Art Collections, consisting of a large number of small human heads in clay, different in form, but sharing one coherent component – expressive eyes.
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