The art organization Istovremeno/Samtempe, in collaboration with the Museum of Contemporary Art, presents the first Extended festival, which opens up space for durational performances realized across different media – from contemporary dance, performance, and media art, to sound art, theatre, and various hybrid formats. The title implies extended duration, a departure from established modes of watching, creating, and performing.
The Museum of Contemporary Art presents an exhibition by Palestinian artist Majdal Nateel, Studying the Void of Amputation (2025), a cycle of 38 prints born from the experience of war, forced displacement, and loss of home.
The Eighth Sea is a solo exhibition by Ismar Čirkinagić, to be presented at MSU – Museum of Contemporary Art Zagreb. Through works that invite reflection on our relationship with nature, history and political reality, the exhibition explores humanity’s growing loss of direction in a world shaped by war, political conflict and ecological crisis.
The eighth edition of the international Device_art Festival, titled Transfer + Resistor (Poetic Devices / Device Poetics), opens on 29 September at 7 pm at the Museum of Contemporary Art Zagreb with a major group exhibition featuring twenty-seven Croatian and Korean artists and artistic collaborations. The festival programme also includes performances, artist talks, workshops, and a discursive programme that will take place throughout the duration of the exhibition, which remains open until 27 October. Since its founding in 2004, Device_art festival has explored the intersections of art, technology, and science. In this edition, the festival establishes its first extensive dialogue with South Korea, a country whose artistic and cultural landscape has been profoundly shaped by accelerated technological development as well as a long history of experimentation in media art. The festival is developed through a collaboration between KONTEJNER and the Korean curatorial collective Vestige, whose members include artist and curator Yunchul Kim and curator Jungyeon Park.