*Opening hours of the exhibition are Tuesday through Sunday from 11 a.m. to 4 p.m.
!brute_force is an ongoing research platform interrogating forms of governance instituted by AI through structured models of reality. Established in 2019 by Maja Smrekar, the project stemmed from the premise that humans and nonhumans are no longer embedded in a dualist frame, but levelled within the global infrastructure of the market economy and the techno-capitalist commodification of life.
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Small black and white photos were placed at 12 different locations in Zagreb as part of the project – A Walk with Tošo. They are an invitation to explore both the collection of Zagreb's great photographer and the city.
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Sandra Sterle is working with the processes of performing and multimedia installations based on experimental film structure. Figments of Time is focused on her ongoing practice of biographical research, archiving and self-archiving in linear and non linear forms of relating to documentation and memory. Her discourse revolving around her relationship with her grandfather formulates a non-linear film-structure with installation units that can be seen as separate entities or fragments that are assembled together to form a single unit. A possible layer of her long term project and current exhibition is an attempt to read her own art practice through her granfather’s biography. (From the text of Olivia Nițiș)
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The exhibition is conceived as an intimate, artistic and curatorial homage to the activity of the prematurely deceased multimedia artist Marijan Crtalić (1968 - 2020). His artistically articulated activism continuously reflected the socio-political narratives of his hometown of Sisak. When we get the opportunity to see Marijan Crtalić’s work today, we understand that this work represents an indispensable and quite concrete contribution to the valorisation and re-actualisation of the legacy of Socialism, in the direction of active negotiations with the present, but also as the foundation for any critical deliberation on the future.
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Opening: 21/12 at 7 pm
"Looking at the course of a river from an airplane, I was often intrigued by the drawing the river made in the ground it flowed through. Some parts were so artistic that you only had to frame and sign them. That, of course, would be pure theft, because the image is created by the river, the ground, and gravity. The author is nature."
(V. Richter, Gravitational Drawing, Museum of Contemporary Art, Zagreb, 2001)
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The exhibition Nam June Paik - In the Groove features the delightful early experimental art practice of this clever and playful pioneer of media art. Akin to a TV signal or internet impulse, his groundbreaking multimedia work reverberated globally throughout the art world.
Signals, parallels and reflections in the „groove“ of Nam June Paik can be found in Croatian and regional artworks which resonate and crossover many of Paik’s most prominent postulations.
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The exhibition Body and Territory: Art and Borders in Today's Austria departsfrom two dominant tendencies that mark contemporary art in Austria. It focuses on the tradition of radical performance and feminist legacy while giving a voice to those who are silenced—women, queer individuals, immigrants, refugees and migrants. Thirty artists and art collectives in more than seventy works demonstrate how the vulnerability, that emerged in Austrian art as a dominant topic in the early 20th century. by the late 1960s, became the main medium of radical forms of political resistance.
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On Wednesday, November 16, 2022, at 7:30 p.m., the Museum of Contemporary Art Zagreb will open the large retrospective exhibition Passenger of the American abstract painter Sean Scully, one of the leading and exceptionally successful artists of his generation. The author of the exhibition is Dávid Fehér, director of the Central European Research Institute for Art History and curator of 20th-century contemporary art at the Museum of Fine Arts in Budapest, while Jasna Jakšić, Ivana Kancir, and Ana Škegro have curated the Zagreb exhibition. The retrospective presents sixty-four of Scully’s seminal artworks – canvases, works on paper, photographs, and sculptures – as an extremely valuable cross-section of the painter’s work over the past 50 years. It will be open until March 12, 2023, during which time a diverse educational programme will be organized for children, youth, adults, and persons with visual and hearing impairments, as well as different, thematically oriented guided tours. The accompanying programme will begin with Scully’s lecture on November 16 at 6:00 p.m. in MSU’s Gorgona Hall.
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Ivana Pipal’s Invisible Spaces were created at the intersection of visual arts and psychotherapy, by translating research of the human psyche and its mechanisms into artistic speech. Relying on the experiences of neuroscience, psychotherapy, and psychology as well as various techniques for raising the awareness of presence, the artist has built a visual language as a tool for understanding the inner world, feelings, and abstract thinking.
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The New Era exhibition presents the works of three female artists and an artist collective from Slovenia, who in their creative practices, consistently and continuously address the relationship between human and nature. The selected works provide a profound contemplation about anthropogenic interventions into natural environments and about current sociopolitical and economic structures of governance which are based on principles of infinite growth of production and consumption.
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